Wednesday, July 27, 2011

Number 47: Thistle Study

Thistle, 8x6, Oil on Gessoed Hardboard

The weed that is everywhere you don't want it to be is my subject for the day.

I usually look at these things with disgust before I cut them down and dig up their tap root, but today I looked at this one with the eyes of an 'artist'. All of the different greens, the way the light plays with the tiny petals of the bloom, the multitudes of little spikes covering the seed pod, and the pointy thorns all the way up the stem.

I hope I captured it all with this little study.

Enjoy!

Monday, July 25, 2011

Number 48: Cherry Exercise

Lone Cherry, 5x7, Oil on Canvas Board

I learned from this one not to take the picture when it is wet. Well, this one is fresh, right off the easel! I'll take another pic for comparison after it dries.

I like these little cherries. They make great little models and they each have their own individual personalities. I'm hooked, so watch out for more of these little guys!

Enjoy!

Sunday, July 24, 2011

Number 49: Challenge Inspiration - Daisies

Daisies, 8x6, Oil on Gessoed Hardboard

Here's one that was inspired by this week's challenge at dailypaintworks.com. 
 
The challenge:Choose some flowers on the ground and stand from one to six feet away from them. Use only these colors: Ultra Blue, Cad Yellow Med (or Lt), Cad Rd Lt and white. Limit your painting time to one hour (don't cheat!). Using only three brush sizes (large, med and small) start with a large brush and cover the canvas with thin paint (not runny), getting most of the large, dark areas blocked in. Then work dark to light, thin to thick. Have a focal point with darker darks, lighter lights, more intense color, thicker paint and fewer sharper edges. The rest of the painting should support that area with less visual energy (softer edges, less intense colors, less contrast). Use the smallest brush only at the end and in the focal area only (last 15 minutes). Use a value scale of at least 8 to 2 (dark to light). And try not to use white to lighten unless it is a cool color (blue or purple). 
 
Since I only use the primaries anyway, this one was REALLY easy! I even finished in about 45 minutes. Unfortunately, I'm not a member of the site yet, so this was just a good practice. I'll be joining soon, though!
Enjoy!

Saturday, July 23, 2011

Number 50: Little Project (Completed)

Well, here it is! I'm halfway through my first 100 and beginning to get the knack of things and how everything works and comes together. I may even be developing my own style, but the evolution continues. I keep thinking of a caterpiller in a cocoon developing into a beautiful butterfly. And, even though I took a year off, I feel as if the development continued in my mind as I never had a moment when I wasn't thinking about color, composition, mixing, lines, edges, etc...

For this big milestone I thought it appropriate to do a little something special. I took on a little project, a request from my best half for her sister and brother-in-law for their first anniversary. I already posted the study I did for this project here.


I started out by penciling in a drawing to get an idea of where things should go.



While I tried to figure out where to start, I painted in the sky.


I was really interested in seeing how the values of the 'crow's nest' would work with the sky color, so I started with the roof area.


I got into a groove and just kept moving down the canvas. I like how it's all coming together at this point, but there's still a lot that can go wrong, er, still a lot to do.


I changed colors for a while, the whites and blues were getting a bit monotonous, and I need to see what the other main areas of color would do to the composition. I'm really liking how this is looking at this point.


Got the stairs, walkway, and driveway in and looking good. I spent quite a bit of time on the curb, but it turned out looking really nice.


This is the part that really had me worried. All the work done so far and something so small as stair railings could ruin the whole thing. Well, I didn't have to worry very long. I did a little swipe with a couple of Qtips and laid down the paint. Nice little trick I learned from Richard Schmid! Finished up with the railing shadows and some water run off stains on the steps and voila!


Pilot House, 16x12, Oil on Canvas on Hardboard

Here it is! This photo was taken in warm light from an incandescent light and still looks pretty good to me. This is the largest project I've done to date and I learned quite a bit about mixing colors and using medium, values and edges, and most importantly patience. There were so many times I thought things didn't look right, the colors were off, the values were off, and the whole thing wouldn't really fit on the canvas. But in the end, it's all good. I'm happy to have done this project and look forward to doing more 'big' paintings in the near future.

I hope Kelly and Anthony love their first anniversary present as much as I loved painting it!

Number 51: Parrot (Macaw)

Parrot, 7x5, Oil on Canvas Panel


I decided to spread my wings a little for this one. Forgive the pun!

Enjoy!

Sunday, July 17, 2011

Number 52: Old Oaks

Old Oaks, 6x8, Oil on Gessoed Hardboard


This one is just a quickie of a couple of oak trees that I spotted on my daily drive to and from work. They've stuck out to me because they look so old and they're the only trees on their respective hills. A lot like the old farms around here...

Enjoy!

Number 53: The Homestead

The Homestead, 6x8, Oil on Gessoed Hardboard


I got the hankerin', that's Midwest lingo for 'I really wanted', to go out and paint something en plein air. OK. Bugs, not a problem. Wind, not a problem. But the HEAT!!! And the SUN!!! I don't think that the 'Red Badge of Courage' is about blood. It's about the lobster red color of my pasty, white Irish skin when it's exposed to the sun. Cover up, you say? In THIS heat?

Anyway, here's a farm that I've been admiring and have thought about painting for a while. There's just something about white farm buildings from across a corn field that is just inspiring and attention-getting.

I really like how the corn turned out in this one. The farm didn't turn out so bad either!

Enjoy!

Number 54: Another Portrait

Portrait, 10x8, Oil on Gessoed Hardboard


OK, so I've been reading all the books and watching all the painting demos that I've accumulated in my self study of oil painting and I ran across Jeff Watts' Gesture Portraits - again! And, again, I said to myself that he REALLY makes it look easy. I can do that!

Well, here's another portrait. I don't think I did TOO badly, but, no! It's really NOT that easy...

Enjoy!

Number 55: Jen's Sunset

Jen's Sunset, 8x10, Oil on Gessoed Hardboard


You may remember a post where I mentioned my first date with the love of my life, Jen. Go here to refresh your memory if it's as bad as mine, LOL!

Well, I promised a painting way back then and I finally got to it! Enjoy!!!

Oh! And Jen, I still love the shoes!  ;-)

Number 56: The Pilot House Restaurant

Pilot House, 8x6, Gessoed Hardboard

Early last year Jen and I flew to Philadelphia and drove to New Jersey to attend the engagement party of her sister, Kelly, to a super great guy, Anthony. The dinner party was at a restaurant called the Pilot House located in Brick Township. Besides loving art, I am also a foodie, and the Pilot House did it up right!

Anyway, this is a little color study from that day done in preparation for a 'little' project I've started which you will see here within the next week or so.

Enjoy!

Number 57: Rise & Shine

Rise & Shine, 8x6, Oil on Gessoed Hardboard

As my last post indicated, I'm back!

I couldn't think of a better way to get rid of the spider webs from the studio in my mind than to do a quick little nautical.

Since I enjoy sunrises, and this little piece represents my comeback, enjoy 'Rise & Shine'!

Thursday, July 14, 2011

Back in the Saddle!!!

Life and work have gotten in the way long enough!
I'm back and will be painting a lot more! As a matter of fact, I'll be posting six little studies that I've done over the past week - some plein air, some portraiture, some from reference photos.

So stay tuned and I'll have them posted shortly!